View allAll Photos Tagged technique

I enjoy doing the Pep Ventosa technique on trees during each season. But as we had such a long hot summer, and then suddenly it got cold and we hit winter two weeks later, it was very difficult to find a lone tree that I could walk around and was the right colour. This was the closest I could find. It's an in camera 9 image multiple exposure, walking around the tree.

 

I've been having a very busy week and will have a busy weekend with family, so I'm on and off this week. I'm sorry I won't have time to comment on all your images.

 

Zooming in can be interesting :)

 

Happy Friday!

… in slow motion.

An abstracted shot of Achillea ‘Cerise’, a garden hybrid from the genus Achillea commonly known as Yarrows, was imaged using Intentional Camera Movement (ICM) technique. Taken in the garden. Bath, BANES, England, UK

Sunrise on the coastline of El Médano in Tenerife. Another abstract using intentional camera movement (ICM) while I was waiting for the sun to rise.

 

Sunrise Photography in Tenerife

 

If you would like to use any of my photos please contact me and ask permission first.

 

If you want to look at more of my photography you can check my website and social media links below:

 

www.geraintrowland.co.uk

 

Getty

 

Tenerife Sunsets via Getty

 

Orton Technique, NIK filters and layers of textures. Just goofing around :-)

Explore #92 Nov. 7 2009

Please don't use this image without my explicit written permission. © All rights reserved

A toy electric motor as a 1:1 macro. I suppose it belongs to the series "Märklin Metall" from the early 70ies. This was a modular kit system made of metal to construct mechanical things for older kit. This one is a still working motor, driven by a 9V battery. The copper wires induce a magnetic effect propelling this motor like in every electric driven engine.

 

Voigtlaender 2.5 110mm Macro Apo-Lanthar

Focus Pulling is a technique of adjusting focus from out of focus to tack sharp during a firework explosion over 1 to 3 seconds. similar physical operation as zooming during exposure only you use the manual focus ring instead of the zoom ring.

 

www.tom-clark.net/fireworks

 

218c 7 - TAC_6041-Edit - lr-ps-wm

While in the “Black Forest” on Terceida, Juca showed me how he used intentional camera movement (ICM) to take pictures of the forest. This is one of my attempts. The location is a very good place to try this technique.

I get to observe a number of birds while they are foraging and either I've been asleep or have never seen a Little Blue Heron employ the old toe tapping technique of the Snowy Egret! This guy was doing just that and the minute the poor hapless fish made a move to escape the toe it ended up in the beak!!! Photo was taken on Horsepen Bayou!!

 

DSL_0024uls

26 Techniques - Minimalism

 

Strobist: SB600 at 1/64 power bounced from multicolored backdrop behind subject

 

ODT - ODC Macro Mania - D for Drop

A grizzly bear demonstrates good fishing technique as he lunges from the shore after a salmon, creating a nice bow wave. Chilko River, Cariboo Chilcotin, BC.

6/11/2021 www.allenfotowild.com

When I begun to process this exposure bracketing, I thought that I knew what I wanted to attain. I was perfectly wrong. Indeed, these RAW files kept a few secret bits of beauty which I was not aware of when I selected them for processing – and they changed the course of the journey I had foreordained.

 

I was in a gloomy mood, for both personal and general concerns, and the RAWs looked rather duller than the average – taken: they appeared to accurately mirror the state of my soul. At worst, I would have wasted some hours of pointless procesing work before deciding to look for something better. Nobody would have known. However things were to contradict my expectations. I got some good news (a rarity in those tough days) about the health conditions of my brother and my “adopted brother-in-law” (i.e. my brother’s brother-in-law); on the other hand, Darktable – that wonderful software – gifted me with a few unanticipated treasures. My thoughts were growing more and more positive and the processing of this bracketing were proceeding accordingly: a hidden beauty was unfolding before me, my own persisting unawareness of it notwithstanding. At last I found myself with a picture that had apparently self-processed itself*, while I was busy exploring uncharted thoughts that kept emerging along the way

  

* Admittedly a bizarre phenomenon, which Maurits Cornelius Escher would have loved – think of his Drawing hands.

 

I would avoid to nag you about this incredibly wonderful location: you can take a look at my album Silent banks, the complete collection of the photos I have taken there; the attached narratives are rich in information about the place, if you are curious enough.

This location is especially renowned for its legendary morning mists, but only a thin layer of milky mist floated above the water that morning. On top of the hill in the distance, beyond the river, lays the sanctuary of the Madonna della Rocca ( = Madonna of the Rock), already brushed by the first light pouring from the Eastern horizon.

 

I have obtained this picture by blending an exposure bracketing [-1.7/0/+1.7 EV] by luminosity masks in the Gimp (EXIF data, as usual, refer to the "normal exposure" shot), then, as usual, I added some final touches with Nik Color Efex Pro 4.

I tried the inverted RGB blue channel technique described by Boris Hajdukovic as a possible final contribution to the processing. While this technique (which, its imposing name notwithstanding, is pretty simple to implement) often holds interesting results in full daylight landscapes, its effects on a low-light capture (e.g. a sunrise) are utterly unpredictable, so at the end of my workflow I often give it a try to ascertain its possibilities. In this picture I have exploited this technique in a very frugal, yet effective, way – just some touches where needed.

RAW files has been processed with Darktable. Denoising with DFine 2 and the Gimp (denoised and original images blended by lightness).

Inverted bracket keeps on giving.

I continue to have fun temporarily with pieces from the PaB without my stock pieces. Of them little can be done but when there's only a plastic Cup... The desire to build immediately increased. Can the pressure is gone and the duty to do something unimaginable without giving the abyss pieces. Oh well - soon I finish moving and will be content better :-)

After some nights spent to learn and practice new imaging techniques, I propose a version of my first attempt to Andromeda Galaxy, less harsh, more realistic and detailed and (I hope) nicer to see.

 

- OTA: William Optics Zenithstar 61 APO doublet + WO Flat61 field flattener

- Mount: SkyWatcher Star Adventurer GTI

- Camera: Nikon D800 unmodified

 

Stack of 34x120s. shots @3.200ISO + 10 dark + 10 flats, using Starry Sky Stacker (SSS) for Mac.;

Processing through Adobe Photoshop

  

Any comment and/or advice for improving is welcome

 

A double exposure (dark mode). No Photoshop, just camera technique

You probably have come across this term. Wikipedia would give you a variety of definitions and explanations. From the perspective of the UK and, important to clarify, from my own point of view, I would say that what is being talked about is a struggle for power over public opinion and the control of the media. Political interest groups use "hot-button" issues (racism, gender roles, Brexit, immigration, the interpretation of colonial history etc.) as a technique to polarise society and distinguish between "us" and "them". This is not a debate in the interest of truth. It is all about bullying and pushing certain agendas through. In other words, culture wars have intentional consequences. When a public TV channel with critical news reporting is being "privatised" or when the public BBC is threatened with a redrafting of its charter, you know that very likely culture wars are involved. Fuji X-E2 plus Helios 44M-7 wide open.

Technique offer us new possiblities for experimenting. I believe curiosity is present in all human beings. An internal force moves skaters to experiment things that the rest of us, we can not dream of .In my case I enjoied exploring what could result from the use of different edition programs together, "eh voilà" the outcome!

Betsy Ross at work on the first American flag

 

52 Weeks of 2017

Week No: 6

Theme: An Homage to History

Category: Technique

 

52 in 2017 - Week #6 - Self Portrait

 

26 Techniques - Portrait with Flash

Strobist for this portrait: Commander Mode on D7200: SB600 45 degrees camera right -0.3EV; SB600 60 degrees camera left -0.3EV

 

ODT - Creative or dramatic self portrait

Aux Techniques Réunies ( Acrylique/Huile )

Sur toile 3D

 

www.ladryada.wordpress.com

Studies in selective focus from the back porch

Techniques mixtes cyanotype

Parution Maisons Côté Ouest février 2023 et compte instaragram

www.instagram.com/herr_one_shots/?hl=fr

Thanks to everyone that views and comments on my images - very much appreciated.

 

© ALL RIGHTS RESERVED. On all my images, Use without permission is illegal.

  

Sony ILCE-7RM5

Excerpt from the plaque:

 

Paper Crafting Technique of Lion Heads

 

Lion head paper crafting has a long history in Hong Kong. The birthday celebrations held for deities in villages are usually accompanied by dancing lions or other auspicious animals. They worshipped at shrines and temples to report to the deities, and hence lion head paper crafting emerged. The lion head costume comes in Foshan 佛山裝, Heshan 鶴山裝 and “Fo-He” 佛鶴裝 styles. Some craftmen depict the lion heads in different colours to resemble historical figures from the Three Kingdoms such as Liu Bei 劉備 (yellow face with multicoloured patterns and a white beard), Guan Yu 關羽 (red face with a black beard), Zhang Fei 張飛 (black-and-white face, green nose with a black beard), Zhao Yun 起趙雲 (green face with a black beard), Huang Zhong 黃忠 (with yellow as the main tone). Lion head paper crafting comprises four processes, namely crafting the frame, mounting the paper, colouring and decorating 紮作,撲紙,寫色,裝上裝飾配件。

Bonsai is a Japanese art form using cultivation techniques to produce small trees in containers that mimic the shape and scale of full size trees.

The Garden sits nestled in the West Hills of Portland, Oregon overlooking the city and providing a tranquil, urban oasis for locals and travelers alike. Designed in 1963, it encompasses 12 acres with eight separate garden styles, and includes an authentic Japanese Tea House, meandering streams, intimate walkways, and a spectacular view of Mt. Hood. This is a place to discard worldly thoughts and concerns and see oneself as a small but integral part of the universe.

Born out of a hope that the experience of peace can contribute to a long lasting peace. Born out of a belief in the power of cultural exchange. Born out of a belief in the excellence of craft, evidence in the Garden itself and the activities that come from it. Born out of a realization that all of these things are made more real and possible if we honor our connection to nature.

(japanesegarden.org/about-portland-japanese-garden/)

 

I had heard about a technique quite a while ago and I have been meaning to try it one day, it consists of taking an object, photographing it multiple times all around it and then blending the layers in varying opacity in photoshop.

 

This is my first attempt - 12 photos taken around this nice little pot of lavender, blended in PS. I've then added some textures to finish the look. The left-hand image is my base image or starting point as a comparison.

 

The technique can be used on outdoor objects as well like trees, statues, fountains, buildings etc, etc...

 

© Dominic Scott 2023

My entry for the microscale category in Brickscalibur 😀. Had quite a bit of fun with this one, not at all frustrating to place all those tiny trees…or the waterfall…😂. Hope you like it!

4 images stacked with Zerene Stacker

Studies in selective focus from the back porch

edited using techniques by Ashlee Rose

Leaf, snow rocks. Created 4 layers, each layer was a different color. Flipped the 4 layers around so each layer was in a different position. Combined the four together and this is the result. Very easy to do. Try it on shots that don't turn out 100%. You'll be pleased with the results.

Papier Canson Format A2

Glacier National Park Montana USA

Nokomis jetty, Florida Gulf Coast (16 March, 2020)

The bird is out of the field of focus, but the image suggests that brown pelicans open their beaks before they hit the water.

I figured the tree technique I came up with (using stacked lassos) might work pretty well for microscale so I gave it a treehouse :)

A Tricolored Heron in breeding plumage employs the same shadow casting technique displayed by the previously posted Snowy Egret in the same marshy area off Horsepen Bayou.

It is a photographic technique I like to use from time to time.

 

Have a nice Labor Day everyone!

 

www.1-nick-boren.pixels.com

There is one technique in Wildlife Photography that for me can truly transform and improve a person images. I used this technique to capture an image of this Merlin sitting on its prey along the road in front of my home a few weeks back. This technique allowed me to create what I think is wonderful image in a difficult scene. To learn more about this technique and my encounter with this Merlin check out my recent blog post.

www.bradjameswildlifephotography.com/blog/

 

fade to black wet technique (scanned transparency)

 

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